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When we performed at the US, dancer Kamala Laxman, expressed her desire to choreograph a few compositions.
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It was needamangalam krishanmoorthi, who taught us compositions of oothukad.
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They include less renderd ragas, like nayaki, malavi, hamsa vinodini, poornachandrika. They have the touch of Alathur style and are considered as harbingers of the RAMANAD KRISHNAN WAY OF GENERATING FLASHES IN THE CONCERT. THE Brothers possessed a chaste classical style and demonstrated excellence, in rendering compositions while they perform together at the Navarathri Mandapam. Even now the family is known as the KALIKOTTAI (CALICUT). The ancestors of these musicians were migrants from chenkottai.
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We rehearse together, and express our caliber during ragalapana and swara prasthanam” they say. We belong to the same school of padaantharam. According to them co-ordination is very important. So we accepted concerts on weekends only. “FINDING a mutually convenient time was tough. They have been singing together for the past four decades. D, in chemistry, went to GERMANY FOR HIGHER STUDIES, while Thygarajan joined AIR, and recently retired as the deputy director of BANGALORE DOORDARSHAN. They initiated into music besides veda adyayana” said DR.Tharanadan, deputy director of CFTRI Mysore. Our father is a disciple of Mussiri Subramania Iyer and Satri uncle was the disciple of the legendary Mysore t Chowdiah. “Our father R K Narayana swami, and his brothers, R K Ramamkrishanan and R K Sreekantan, are popular musicians. Their grand father R K Krishnasastri was not only a musician, but a Harikatha exponent, play Wright and Sanskrit scholar. R N THARANADAN represent the third generation of musicians from this place. Although small, it has produced a number of musicians. Rudrapatnam is a small hamlet near Kaveri. I would like to be known as a classical musician first” he said. But you will have to set time to do your daily practice. Singing for films is easy and effortless. “If I focus more on film songs, it would affect my performance as a classical musician. His other numbers include adisayam and hairabba, in jeans. That is why most of the singers skip ragam thanam pallavi” he added.Įnnavale adi ennavale (kaadalan) fetched him the national award. “Now time has changed and a concert hardly lasts for 21/2 hours imposing pressure on musicians. If you don’t make it you will be nowhere. In sports, you will get only a short span. If I had pursued cricket, I would perhaps, have made a mark in the field. I TOOK MUSIC SERIOUSLY only at the age of 25. Then I learnt under Calcutta Krishnamurthi, Savithri satyamurthi, and P S Narayanaswami. My debut performance was at palakkad, my native place. My mother taught me the basics, and then I was trained by V L Seshadri before I joined DR, S RAMANADAN. In course of time I developed a keen interest and was gradually imbibed into the world of classical music. Harini, is a good vocalist, but not a performer. Today he has craved a niche in the realm of carnatic music. Bur destiny had something different in store for him. He did play seriously participated in the senior division league, with krishnamachari sreekant, and robin singh. If you had asked UNNIKRISHNAN, carnatic musician, cum paly back singer, what he wants to become two decades ago, he would have said “I want to become a cricketer.”